A3 Alanı: Mimarlık, Planlama ve Tasarım \ 1-1
Aslı İgit, Ayhan Küngerü, Dilan Çiftçi, Gülüm Şener, Kadriye Kobak, Özge Sayılgan, Semra Ay, Semra Çam, Şuheda Soğukdere, Tülin Sepetçi Independently from time and space, today’s digital communication medium provided us a range of possibilities and freedom on the content, speed and forms of communication. Even, a generation has been born and grown up in a digital era by relating all medium they knew with numerical data and digital kind of interactivity. Games, books, movies, even the education system became or transformed into a digital version of its origin in a very short time for human history. While an adaptation process from traditional and old data to the new and digital medium still continues, new forms of communication have emerged and been added to our cultural life. Digital medium became an extension of our existence. This extension is not only of a part of our body like offered by McLuhan, but it’s an extension of our souls now and effected many levels of our daily life from economy to politics, from art to entertainment, to education and to our social relations. Even the main thresholds of human life emphasized with social practices like birth, weddings or death rituals gained a digital groundwork through the Internet.
Besides, social media and participatory culture increased the language of visuals and transformed almost each participant of this postmodern universe into the subjects producing, manipulating and editing regularly photographs, films and even interactive contents. Content is now something open to interference and visuals are not stable on the walls, but they are movable, interactive and in flow on the screens. This story which has begun at the beginning of the 20th century went to the next stage towards the end of the same century with the rise of digital which gave us a sense of power on the content represented on the screen. Digitally represented, the image’s aura is not underlying on its uniqueness or privacy, instead, its touchable nature inviting the subject to change it continuously, is the new aura.
Tomasz E. MALEC The addressees of Simple Introduction to Architecture are both early-years students from architectural faculties and people who have not previously been close to the work of architects but want to learn more about at least some aspects of this interesting profession.
Alessandro Carabia, Alim Koray Cengiz, Ebru Bingöl, Ebru Bingöl, Flavia Vanni, Luci Attala, S. Tuğçe Tezer The book TALE OF A RIVER CITY is as a collective work that aims to narrate the complex history between Antakya's inhabitants and the Asi River running through the city that has shaped Antakya's urban life and its reception for millennia. The book outlines the collaborative, interdisciplinary work of five researchers coming from different academic backgrounds ranging from anthropology, archaeology, art history, architecture, and city planning, and articulates stories merging into the flow of the Asi River from Antakya's foundation until today. The book adopts a historical narrative method, which will be expanded upon five chronologically ordered chapters employing a kaleidoscope of perspectives from diverse sources, including books, articles, travelers' notes, myths, drawings, maps, photographs to mediate understanding the changing urban-water relations in the historical context.

NEHİRLİ KENTİN ÖYKÜSÜ kitabı, Antakya sakinleri ile şehrin içinden geçen ve Antakya'nın kentsel yaşamını şekillendiren Asi Nehri'nin binlerce yıldır süren karmaşık tarihini anlatmayı amaçlayan kolektif bir çalışmadır. Kitap; antropoloji, arkeoloji, sanat tarihi, mimarlık ve şehir planlama gibi çok farklı akademik geçmişlerden gelen beş araştırmacının iş birlikçi ve disiplinler arası çalışmalarını bir araya getirmekte ve Antakya'nın kuruluşundan günümüze kadar Asi Nehri'nin suyuna karışan hikâyelerini özetlemektedir. Kitaplar, makaleler, gezgin notları, mitler, çizimler, haritalar ve fotoğraflardan oluşan çeşitli kaynakların farklı perspektiflerini bir araya getiren kronolojik olarak sıralı beş bölümden oluşan bu kitap; tarihsel anlatı yöntemini benimsemekte, zaman içerisinde değişen şehir-su ilişkilerini tarihsel bir bağlamdan anlamaya aracı olmaktadır.
Alessandro Carabia, Alim Koray Cengiz, Ebru Bingöl, Flavia Vanni, Luci Attala, S. Tuğçe Tezer The book TALE OF A RIVER CITY is as a collective work that aims to narrate the complex history between Antakya's inhabitants and the Asi River running through the city that has shaped Antakya's urban life and its reception for millennia. The book outlines the collaborative, interdisciplinary work of five researchers coming from different academic backgrounds ranging from anthropology, archaeology, art history, architecture, and city planning, and articulates stories merging into the flow of the Asi River from Antakya's foundation until today. The book adopts a historical narrative method, which will be expanded upon five chronologically ordered chapters employing a kaleidoscope of perspectives from diverse sources, including books, articles, travelers' notes, myths, drawings, maps, photographs to mediate understanding the changing urban-water relations in the historical context.

NEHİRLİ KENTİN ÖYKÜSÜ kitabı, Antakya sakinleri ile şehrin içinden geçen ve Antakya'nın kentsel yaşamını şekillendiren Asi Nehri'nin binlerce yıldır süren karmaşık tarihini anlatmayı amaçlayan kolektif bir çalışmadır. Kitap; antropoloji, arkeoloji, sanat tarihi, mimarlık ve şehir planlama gibi çok farklı akademik geçmişlerden gelen beş araştırmacının iş birlikçi ve disiplinler arası çalışmalarını bir araya getirmekte ve Antakya'nın kuruluşundan günümüze kadar Asi Nehri'nin suyuna karışan hikâyelerini özetlemektedir. Kitaplar, makaleler, gezgin notları, mitler, çizimler, haritalar ve fotoğraflardan oluşan çeşitli kaynakların farklı perspektiflerini bir araya getiren kronolojik olarak sıralı beş bölümden oluşan bu kitap; tarihsel anlatı yöntemini benimsemekte, zaman içerisinde değişen şehir-su ilişkilerini tarihsel bir bağlamdan anlamaya aracı olmaktadır.